Key early work by “the unsung Queen of British performance Art” acquired for York Art Gallery
Quadrille (1976) by Rose English highlights the fetishisation of women’s bodies and explores issues around gender roles, whereby dressage can be seen as a metaphor for power struggles and relationships.
Three works by ceramicist Simon Carroll acquired for Amgueddfa Cymru – National Museum Wales
The selected pieces represent Carroll’s work at its most ambitious and the grouping illustrates his practice of working in series with a given form, in order to discover expressive variation
The Art World View: The Beauty of Data
The way in which artists are embracing data helps us understand the fundamentals of our world just that little bit differently.
The Place is Here at Nottingham Contemporary
The question arises why it has taken almost 30 years to gain the visibility that black artists were already fighting for in the 1980s.
Sackler CPD Programme Study Day: How to let artists work in response to your archive
The New Art Gallery Walsall has worked with a number of artists on their Garman Ryan Collection and Epstein Archive, notably Bob and Roberta Smith in 2009.