Absolute Pitch, Whitstable Biennale, 2014, photo Julian Lister. A choral film-sculpture. 16mm film, voice and light. Devised with Richard Glover and performed by Gloucester Cathedral choristers. Co-commissioned by Whitstable Biennale 2014 and ICIA University of Bath.
Compositions for a Low Tide, Whitstable Biennale, 2014, photo: Bernard G Mills. As day turned to dusk, a group of choristers walked out along the line of The Street, an ancient shingle spit that stretches out a mile into the sea at low tide. They sang two new compositions devised with composer Richard Glover from my deceased sister’s sketchbooks. An ambulatory performance by Rochester Cathedral Choristers. Co-commissioned by Whitstable Biennale 2014 and ICIA University of Bath.
Absolute Pitch + Compositions for a Low Tide, 2014. Newly commissioned 16mm film-sculpture and performance, Whitstable Biennale 2014
Can People See Me Swallowing, 2014. A choral film for a stairwell at Spike Island. 16mm film, voice and light. Devised with Richard Glover, singer Karen Middleton, sound production Richard Jeffrey-Gray. Sketchbook photograph and installation documentation: Milo Newman
Can People See Me Swallowing, 2014. A choral film for a stairwell at Spike Island. 16mm film, voice and light. Devised with Richard Glover, singer Karen Middleton, sound production Richard Jeffrey-Gray. Sketchbook photograph and installation documentation: Milo Newman
Flecks of a Brighter Colour, 2014. Two-channel sound installation at ICIA University of Bath: two ceiling speakers on either side of a bench. Photo: Milo Newman
Jeannie, 2014. Sound installation at Arnolfini commissioned by PRS Bristol New Music. Two field recording monologues pressed onto vinyl and played from two turntables with headphones. The Angelic Harmonies that Jeannie describes are performed by Gloucester Cathedral Youth Choir and play from the overhead ceiling speakers and resonate through the building, playing at ten-minute intervals. Photo: Sam Francis
Jeannie, 2014. Sound installation at Arnolfini commissioned by PRS Bristol New Music. Two field-recording monologues pressed onto vinyl and played from two turntables with headphones on a platform. The Angelic Harmonies as describes and notated by Jeannie are performed by Gloucester Cathedral Youth Choir and play at ten-minute intervals resonating through the building.
Your Vivid Imaginings (Lines of Emotion), 2014, from a series of photographs of the artist’s sister’s sketchbooks, black and white, hand processed, 16x18cm. Image courtesy the artist and Danielle Arnaud, © the artist
Your Vivid Imaginings (Lines of Thought), 2014, from a series of photographs of the artist’s sister’s sketchbooks, black and white, hand processed, 16x18cm. Image courtesy the artist and Danielle Arnaud, © the artist
Your Vivid Imaginings (Lines of Tension), 2014, from a series of photographs of the artist’s sister’s sketchbooks, black and white, hand processed, 16x18cm. Image courtesy the artist and Danielle Arnaud, © the artist
Your Vivid Imaginings (Recording Sister's Words), 2014, from a series of photographs of the artist’s sister’s sketchbooks, black and white, hand processed, 16x18cm. Image courtesy the artist and Danielle Arnaud, © the artist
And Now My Voice Enters Your System, 2013, 16mm film/sound installation. Courtesy INDEX gallery, Stroud. Photo: Gavin McClafferty
Body of Water (Field Recording Performance), University of Groningen, Netherlands, 2013, master tape played from a Nagra ¼ inch reel-to-reel player. Image courtesy the artist and Danielle Arnaud, © the artist
Bore Song, Louisa Fairclough, 2011, 16mm film loop with sound and float glass, installation detail. Image courtesy the Contemporary Art Society. Photo: Joe Plommer
Bore Song, Louisa Fairclough, 2011, 16mm film loop with sound and float glass, installation detail, Danielle Arnaud. Image courtesy the artist and Danielle Arnaud, © the artist
Song of Grief, 2011, installation as part of Film in Space, Camden Arts Centre, 2013, llight, sound, filmstrip, 2 x 16mm film loops (no image, single sustained shout on each filmstrip). Photo: Andy Keate © Camden Arts Centre
Lumpen, Louisa Fairclough, 2013, watercolour and spit on gesso, 30 x 21 x 4cm. Photo: Colin Glen
Survival Shelter, Louisa Fairclough, 2011, watercolour and spit on gesso, 30 x 21 x 4cm. Photo: Nigel Noyes
Unstuffed, Louisa Fairclough, 2011, watercolour and spit on gesso, 30 x 21 x 4cm. Photo: Nigel Noyes
Ground Truth, Louisa Fairclough, 2010, watercolour and spit on gesso, 30 x 21 x 4cm. Photo: Nigel Noyes
Sleeping on the Severn, Louisa Fairclough, 2009, 2 x 16mm films (b/w, silent) projected onto float glass inserted into a plinth. Installation at Darbyshire Award, Museum in the Park, Stroud. Photo: Colin Glen
Sleeping on the Severn, Louisa Fairclough, 2009, 2 x 16mm films (b/w, silent) projected onto float glass inserted into a plinth. Installation at Darbyshire Award, Museum in the Park, Stroud. Photo: Colin Glen