Clive Hodgson, Untitled, 2017. Oil on canvas, 55 x 60 cm. Courtesy of Arcade
Friday Dispatch 2 Feb 2018 By Caroline Douglas

Clive Hodgson at Arcade, London

Clive Hodgson is the ideal painter to mark the 10th anniversary for the gallery. Dealing in a form of conceptual abstraction, he has long made the dating and signing of his paintings the foremost compositional element.

Bridget Riley, Quiver 3, 2014. Graphite and acrylic paint on plaster wall. © Bridget Riley 2017, all rights reserved. Courtesy David Zwirner, New York/London
Friday Dispatch 26 Jan 2018 By Caroline Douglas

‘Bridget Riley: Recent Paintings 2014-17’ at David Zwirner London

More than 50 years since she made her name, Riley thrills by demonstrating that she is still testing the terms of engagement with painting – with the same rigour, the same appetite for risk.

Phoebe Boswell, Mutumia, 2016
Artist to Watch 25 Jan 2018 By Christine Takengny

Phoebe Boswell

Boswell’s portrayal of the Black and female body as an active agent rather than a silenced object, combined with her sophisticated take on social media communication and the virtual world, gives Phoebe Boswell a distinct voice full of power and energy.

Babi Badalov, ‘I am IdealEast/ Refugee Crysis/ Kennedy’, 2015. Ensemble of three paintings on fabric, 33 x 143 cm, 114 x 198 cm, 63 x 69 cm. Courtesy of the artist
Recent Acquisitions 24 Jan 2018 By Franka Blok

Three paintings by Azerbaijani artist Babi Badalov acquired for Middlesbrough Institute of Modern Art

Living in Paris as a refugee, Badalov’s practice tests the limits of language and the restrictions it can impose upon us.

John Akomfrah, Untitled, 2016. C-type print mounted on Dibond. © Smoking Dogs Films; Courtesy Lisson Gallery
CAS Recommends By Marcus Crofton

February 2018

This month Kettles Yard in Cambridge re-opens following a major new expansion with a group show that features a formidable calibre of artists

Production stills from Melanie Manchot - The Choirs, 13 January 2018. Photography by Tim Bowditch
Art Consultancy 23 Jan 2018 By teamcas

Radical Cambridge Choirs join together in a performance by artist Melanie Manchot

During her residency Manchot worked with university researchers to explore what it means to be part of a new community in Cambridge.

Image: Installation view of Isabel Nolan: Another View from Nowhen at Bloomberg SPACE. Courtesy of the Artist and Kerlin Gallery.
Friday Dispatch 19 Jan 2018 By Caroline Douglas

Isabel Nolan: ‘Another View from Nowhen’ at Bloomberg SPACE and the London Mithraeum

Do book yourself a slot to see the Mithraeum and Isabel Nolan’s remarkable response to it. This is the new, old London: repackaged, reinterpreted.

Michael Armitage, Exorcism, 2017, © Michael Armitage. Photo © White Cube (Ben Westoby). Courtesy of the Artist and the Harry and Lana David Collection.
Friday Dispatch 12 Jan 2018 By Caroline Douglas

Michael Armitage: The Chapel at South London Gallery

Armitage has a remarkable facility as a painter, a command of colour and a seductive line. I for one will enjoy watching him continue to explore the territory he has claimed for himself.

Andreas Gursky, Les Mées, 2016. Courtesy of the artist and Sprüth Magers
CAS Recommends 5 Jan 2018 By Marcus Crofton

January 2018

The Hayward Gallery in London re-opens this month with the first major UK retrospective of the work of German photographer Andreas Gursky, following a two year renovation programme. In Eastbourne,…

Winston Branch, West Indian, 1973. Oil on canvas, 105 x 90.2cm ® the artist. Photo credit - Rugby Art Gallery and Museum Art Collections
CAS News 4 Jan 2018 By Marcus Crofton

Three CAS Museum Members exhibiting works at Art UK’s showcase of regional museums at London Art Fair

The works have been selected by Sonia Boyce, Mat Collishaw, Haroon Mirza and Oscar Murillo for an exhibition to celebrate the fair’s 30th anniversary

Visualisation of the Elephant Park Development, London. Courtesy: Lendleas
Art Consultancy 3 Jan 2018 By Marcus Crofton

CAS Consultancy – new year, new projects

The team is producing an art strategy for Lendlease’s £2 billion Elephant & Castle development

Ann Van Hoey, Ferrari Red Vessel, 2014. Presented to Aberdeen Art Gallery & Museums through the Omega Fund, 2016/17. Courtesy Aberdeen Art Gallery & Museums Collections.
Recent Acquisitions 21 Dec 2017 By Franka Blok

Ferrari-red ceramic piece by Ann Van Hoey acquired for Aberdeen Art Gallery & Museums

Van Hoey merges the traditional craftsmanship of earthenware vessels with the lavish status symbols of a consumerist society

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