‘Love Life: Act 1’ at PEER, Jonathan Baldock and Emma Hart
Basing their collaboration around the domestic drama of Punch and Judy brings a rich and magical world of childhood pleasure to this work, but also the senseless and maniacal violence
Major new work by Glenn Brown acquired for the Laing Art Gallery, Newcastle, through the Great Works scheme
The work was made specifically for the museum and is the first piece by the artist to enter into a UK museum collection
SHOW WINDOW at Kate MacGarry
A delicately poised yet probing exhibition featuring the work of Céline Condorelli, Laura Gannon, Donna Huddleston, Goshka Macuga, Corin Sworn, Patricia Treib
Silke Otto Knapp, ‘Seascapes’ at greengrassi
The artist’s new show creates a solemn atmosphere for her new paintings of landscapes and figures
The inaugural Hepworth Prize for Sculpture at The Hepworth Wakefield has a highly impressive shortlist (Phyllida Barlow, Steven Claydon, Helen Marten and David Medalla) that makes this exhibition a must-see. In London this year’s Bloomberg New Contemporaries arrives at the ICA having exhibited in Liverpool, giving a good snapshot of emerging trends in art.
Lothar Götz conjures up the theatre in his new show at DOMOBAAL
‘Pas de Trois’ pays tribute to modernist artist Oskar Schlemmer’s iconic dance choreography ‘Triadic Ballet’, which was first performed in Stuttgart in 1922
Severija Inčirauskaitė-Kriaunevičienė’s stitched metal craft piece acquired for New Walk Museum and Art Gallery, Leicester
The artist embraces the mundane symbols of Lithuanian life – the metal bucket, the radiator, the car – and turns them into objects of beauty, rather than shunning them and the industrial processes they represent.
Dynamics of power are what Hutchison is really committed to, using the absurd to question how the rational functions.
The Art World View: The Beauty of Data
The way in which artists are embracing data helps us understand the fundamentals of our world just that little bit differently.
Eva Rothschild’s powerful new show in a museum threatened with closure
All the work in this exhibition, with the exception of one piece, has been made this year, and so it has inevitably been made against the background of the political upheavals in the UK over the summer
The National or the Skip
A show in a derelict hotel, the title is inspired by something Francis Bacon once said: “if my paintings didn’t belong in the National Gallery, they were destined for the skip.”