News

Installation view of Untitled (City Plan). Photograph by Jason Hynes, courtesy of Middlesbrough Institute of Modern Art.
Friday Dispatch 1 Dec 2017 By Ali MacGilp

The Housing Crisis at Middlesbrough Institute of Modern Art

A timelier subject for an exhibition than our current housing crisis would be hard to imagine.

Rose Wylie, Pink Skater (Will I Win Will I Win), 2015. Oil on Canvas, 208 x 329 cm. Courtesy the artist and David Zwirner, London, Photograph: Soon-Hak Kwon
CAS Recommends 30 Nov 2017 By Marcus Crofton

December 2017

The sensational story of Rose Wylie’s late-blooming success has now been repeated ad nauseam, so it may come as a surprise that she is only now having her first major…

Hans Rosenström, In Dependent Structures, 2012
Artist to Watch By Ali MacGilp

Hans Rosenström

Rosentröm is a Finnish artist recognised internationally for his site-specific spatial installations using sound, exploring how we relate to each other as human beings.

Assemble, 'Granby Workshop, First Collection: Products and Process', 2015. Mixed media, Dimensions variable. Presented by the Contemporary Art Society through the Omega Fund with the support of Middlesbrough Institute of Modern Art, 2016/17
Recent Acquisitions By Franka Blok

Products from Assemble’s Turner Prize-winning project acquired for Middlesbrough Institute of Modern Art

All were produced using local materials in Granby Workshop, a community project based in Liverpool’s Toxteth area.

Juno Calypso, The Honeymoon Seaweed Wrap, 2015
Offers 29 Nov 2017 By Team

Get 20% off Frieze Academy’s Creative Visionaries courses for Spring 2018

From social media strategies to branding and creative direction, Frieze Academy presents 2 full-day courses with talented experts from fashion, photography, visual arts and publishing industries. A must-attend series for anyone interested in growing…

Pascal Hachem, back to square one, 2017. Irons, flour, metal structure, step motor and electrical board. Photograph by Andy Stagg, courtesy of The Mosaic Rooms.
Friday Dispatch 17 Nov 2017 By Ali MacGilp

Pascal Hachem at The Mosaic Rooms and Fatma Bucak at Pi Artworks

Although rooted in a Middle-Eastern context, both exhibitions resonate strongly in what feels like a divided and febrile Britain.

Image: Installation view of Women to Watch UK: Metal at Phillips, 14 - 21 November 2017. Courtesy of Phillips.
Friday Dispatch 10 Nov 2017 By Caroline Douglas

Women to Watch UK: Metal at Phillips London

A great opportunity to see some very substantial work by artists one does not often see in such a prominent space in central London.

Catherine Opie, David, 2017 (Detail). © Catherine Opie, Courtesy Regen Projects, Los Angeles and Thomas Dane Gallery, London
Friday Dispatch 3 Nov 2017 By Christine Takengny

Catherine Opie: Portraits and Landscapes at Thomas Dane Gallery

Only when we take time to slow down and immerse ourselves into the intimate studies of her friends can we explore the vulnerability and intimacy of each sitter and the humanity of Opie’s subjects above all.

KwieKulik, Forma Otwarta -­ Gra na twarzy aktorki / Open Form -­ Game on an Actress’s Face, 1972. Video, colour, silent, 2 min 29 sec. © Kontakt. The Art Collection of Erste Group and ERSTE Foundation
Friday Dispatch 27 Oct 2017 By Ali MacGilp

Everything we see could be otherwise (My sweet little lamb) at The Showroom, London

A timely show that invites us to look again at work produced on what were once considered the peripheries of the art world – Yugoslavia and the former Communist Bloc

Fata Morgana Teahouse ©winter/hoerbelt
Art Consultancy 26 Oct 2017 By teamcas

Open Eddington: Public Art for North West Cambridge

Last month the North West Cambridge Development opened its doors to the public, with a programme of events celebrating the near-completion of Phase One of the project. Over the course…

Alina Szapocznikow, Autoportrait I, 1966. Marble, polyester resin. Private collection. © ADAGP, Paris 2017. Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris. Photo Fabrice Gousset.
CAS Recommends By Marcus Crofton

November 2017

Hepworth Wakefield is holding a highly acclaimed exhibition of the work of Polish artist Alina Szapocznikow (1926–1973), which highlights how the artist’s work developed from classically figurative sculptures to her later, politically charged, ‘awkward objects’.

Thomas J Price, Frieze Sculpture 2017, installation view, Photo Charlie Littlewood (LR)_CROP
Artist to Watch By Charlotte dos Santos

Thomas J. Price

Through sculpture, moving image and photography Price attempts to push at the subconscious social boundaries around the image of black males in society.

Explore News

Subscribe

Stay up to date with the latest news and events and receive our monthly newsletter.

Subscribe

Support Us

Donations of all sizes help sustain emerging artists at the beginning of their careers and ensure that their work has inspirational impact on audiences across the UK