Gonçalo Mabunda: Orator of Time at Jack Bell Gallery, London
Mabunda aims to explore the collective memory of his home country that has been scarred by a long and violent Civil War.
‘Edmund de Waal: Psalm’ at Museo Ebraico and Ateneo Veneto, Venice
de Waal’s project connects human experience across many centuries, cultures and countries and, in its way, is as political as it is poetic.
Prabhavathi Meppayil at Pace Gallery, London
Indian art is often associated with vibrant colours and heavy symbolism. Prabhavathi Meppayil’s work, which is currently on view at Pace Gallery London, dispels such expectations: the artist makes work…
Denzil Forrester: A Survey at Stephen Friedman Gallery
It is a revelation to witness so many large-scale canvases by a long-overlooked artist, who has had to fight for his place within an art world that has been seen as white and western until very recently.
Peter Doig at Secession, Vienna
Whilst he is an artist in the third decade of his career and the term ‘mastery’ would not be misplaced, the paintings here evince a persisting restlessness about the act of painting itself.
CAS Consultancy acquires new work for Inflexion’s Marylebone offices
New acquisitions include works by Caroline Achaintre, Marie Lund, Victoria Morton, Ruairiadh O’Connell, Tyra Tingleff and Jorinde Voigt, continuing the collection’s focus on abstraction and elegance of materials.
An exhibition of photographs by Li Yuan Chia, considered China’s first conceptual artist and founder of the LYC Museum in Cumbria, is being presented at The Whitworth in Manchester this month.
The CAS acquires ‘Camera’ by Tamara Henderson for The Hunterian, University of Glasgow
Interested in the itinerant life of the artist, where international exhibitions and residencies mean continual relocations and dislocations, Henderson often explores the way in which certain works are themselves conceived as journeys of transformation.
Smith’s work investigates human relationships, specifically exploring hidden forms of connection: the intimate, the transient, the subconscious and the invisible.
Aliza Nisenbaum at Brixton Underground Station, London
For Nisenbaum, the people she paints are not passive sitters but active and engaged collaborators who are depicted with grace, composure and pride at a time when society often treats them as invisible.
Video: Aliza Nisenbaum discusses the act of portaiture, and how she integrates it into a more socially engaged practice
A painting by the Mexican-born artist was commissioned by the Contemporary Art Society for Norwich Castle Museum & Art Gallery through the VNXXCAS initiative.