#CASatHome: Quadrille (1975), by Rose English
Staged in a dressage arena, six women appear, dressed fetishistically as horses with tack, horse tails and hoof-shaped high heels. They perform a dance based on dressage, watched eagerly by an unsuspecting audience, their movements stilted by their cumbersome shoes.
Four top artists design custom facemasks to support the CAS’s new crowdfunding campaign to help emerging artists during the Covid-19 pandemic
Masks by David Shrigley, Eddie Peake, Linder and Yinka Shonibare MBE are available for a £35 donation to the fund
#CASatHome, with Nao Matsunaga
Nao discusses how the lockdown has given him space to think, sharing homeschooling duties and some of his latest work.
#CASatHome: Our Magnolia (2009), by Nashashibi/Skaer
Our Magnolia takes a surreal landscape painting by Paul Nash as a starting point and develops this reference with a series of enigmatic associations that form the thread running through the film.
#CASatHome, with Sarah Brown, Principal Keeper at Leeds Art Gallery
Brown talks about an installation by artist Anne Hardy that was co-commissioned by the CAS for Art Night in 2017 and gifted to the museum in 2018.
Important early film by “the mother of all feminist artists” Mary Kelly donated to Brighton Art Gallery through the Valeria Napoleone XX Contemporary Art Society Scheme
Mary Kelly was renowned early in her career for introducing feminist concerns into the male-dominated conceptual art world in the 1970s and Antepartum forms a prologue to her iconic Post-Partum Document, 1973-79.
#CASatHome, with Jadé Fadojutimi
Jadé discusses how the lockdown is shaping her work, taking inspiration from box sets and gives us a first glimpse at some drawings she has never shown before.
#CASatHome: Spill, by Graham Gussin
This film was online from 12.00, 28 April 2020 to 12.00, 1 May 2020 This week we are very pleased to present Graham Gussin’s Spill, 1999, with thanks to the artist…
The Artist’s Conversation: Catherine Yass in discussion with George Vasey
Catherine talks about her work from early pieces in hospitals to her 2019 commission for the Supreme Court celebrating 100 years of women in the law.
Hage uses her own body and digital techniques to study the dynamics of crowds.
The CAS acquires an evocative photograph by John Akomfrah for the Mead Art Gallery, University of Warwick Art Collection
Untitled (2016) is inspired by Akomfrah’s film Auto da Fé from the same year, which follows a series of eight historical migrations due to religious persecution over the last 400 years.