

5th October — 8th January 2010
Contemporary Art Society, 11 — 15 Emerald St London, WC1N 3QL
Rotate is the new exhibition programme at our Emerald Street offices, showcasing the work of artists, artist-run spaces and galleries who are attracting critical interest and acclaim nationally and internationally.
Office opening times: Monday - Friday, 9.30-17.30
(office closed 24 December - 3 January 2010)
Opening in November last year to immediate recognition for its ambitious exhibition programme, WORKS|PROJECTS is the new commercial gallery established in Bristol by the independent curator Simon Morrissey.
Morrissey has more than a decade's previous experience of curating projects for leading galleries and has specialized in identifying and supporting distinctive new artists. The new gallery works with a small stable of emerging and established British artists to develop their work critically and commercially.
The gallery also aims to develop the profile of Bristol as a centre for the visual arts through participation in high profile art fairs and showcases and attracting national and international public and private collectors to visit and purchase in the region.
For Rotate, WORKS|PROJECTS have curated a group show which draws together new work by the 8 artists who work with the gallery: Edwina Ashton, Michael Dean, Sarah Dobai, Andy Holden, David Mackintosh, Roy Voss, Richard Wilson and Richard Woods, who work in diverse media, from drawing to sculpture, animation to installation.
For further information on the artists please visit www.worksprojects.co.uk or contact: 07714 480 849, info@worksprojects.co.uk
All works are available to purchase. For further information please contact Phil Ashcroft on +44 (0)2078311243 or email phil@contemporaryartsociety.org
Please note there is limited access to the office, call +44 (0)20 7831 1243 for further details.
The Contemporary Art Society is pleased to be an official partner of the Own Art loan scheme. The Own Art loan scheme is designed to make it easy and affordable for everyone to buy original, high quality contemporary art and craft. You can borrow up to £2,000, or as little as £100, to be paid back in equal instalments over a period of 10 months - interest free*. www.myownartcollection.org.uk
*Typical 0% APR. The Contemporary Art Society is a licensed broker of Own Art loans.
Offcut Inlay Picture No. 61, 2008, Offcut Inlay Picture No. 63, 2008, Offcut Inlay Picture No. 64, Richard Woods, lywood with fibreboard inlay, wood block print in acrylic gloss. Unique. Installation view, WORKS|PROJECTS, Bristol, 2008, courtesy:WORKS | PROJECTS, © the artist
Untitled, Michael Dean, black cement and enamal paint, 2009, courtesy:The Collective Collection, © the artist
Untitled, Michael Dean, photocopy and cement, 2009. Limited edition of 100 produced as a gift to new Contemporary Art Society members during WORKS | PROJECTS Rotate exhibition at the Contemporary Art Society offices (5 October 2009 - 8 January 2010), dimensions:variable, courtesy:WORKS | PROJECTS, © the artist
Third Attempt (with Sheep), installation view, Kunstfort Vijfhuizen, Netherlands, 2008, courtesy:WORKS | PROJECTS, © the artist
Thursday Afternoon, Edwina Ashton, video, edition of 5, 2007, courtesy:WORKS | PROJECTS, © the artist
Red Corner / Harvey (Corner), Sarah Dobai, lambdachrome print mounted on aluminium in tray frame, 2008, courtesy:WORKS | PROJECTS, © the artist
Emily (Corridor) / Yellow Corridor, Sarah Dobai, lambdachrome print mounted on aluminium in tray frame, 2008, courtesy:WORKS | PROJECTS, © the artist
Me, You, the Cosmos & Other People, David Mackintosh, animation with sound, 2008, courtesy:WORKS | PROJECTS, © the artist
Thumbs Up, Richard Woods, wood block print in acrylic gloss on 3mm fibreboard, edition of 100, 2008, courtesy:WORKS | PROJECTS, © the artist
no (working title), Michael Dean, archival light jte print. Unique, 2009, courtesy:WORKS | PROJECTS, © the artist
Fell 33, Roy Voss, iris print, edition of 3, 2008, courtesy:WORKS | PROJECTS, © the artist
At Last, the Postman, Edwina Ashton, installation view, PEER, London, 2006, courtesy:WORKS | PROJECTS, © the artist
Desert Project (Or Hard On in the Desert), installation view, WORKS|PROJECTS, Bristol, 2009, courtesy:WORKS | PROJECTS, © the artist
Pessimism of the Intellect, Optimism of the Will, emulsion paint and collage on melted 78rpm record, 2008, courtesy:WORKS | PROJECTS, © the artist
Woods & Bricks & Bricks & Wood, Richard Woods, installation view, WORKS|PROJECTS, Bristol, 2008, courtesy:WORKS | PROJECTS, © the artist
Lumsleys, Edwina Ashton, coffee, biro, felt-tip pen and coloured pencils. Unique, 2000, courtesy:WORKS | PROJECTS, © the artist
Alpine Flower, Edwina Ashton, black ink and fibre-tip pen on sugar paper, unique, 2003, courtesy:WORKS | PROJECTS, © the artist
yes no (working title), Michael Dean, black cement , 2009, courtesy:WORKS | PROJECTS, © the artist
There (ii), Roy Voss, iris print, edition of 3, 2007, courtesy:WORKS | PROJECTS, © the artist
Drawing Frame Thing (detail), David Mackintosh, installation view. Unique, 2008, courtesy:WORKS | PROJECTS, © the artist
Drawing Frame Thing, David Mackintosh, installation view. Unique, 2008, courtesy:WORKS | PROJECTS, © the artist
Square The Block, Richard Wilson, 2009, photo:Julian Abrams, collection:London School of Economics Commission, © the artist
Turning the Place Over, Richard Wilson, 2007, © the artist