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Shovlin is perhaps best known for a series of ambitious projects, including 'Naomi V. Jelish' (2001-2004) and 'Lustfaust: A Folk Anthology 1976-81' (2003-6), in which the artist constructed extensive and seemingly real archives, which were then revealed to be elaborate fictions.
When these works were shown at the Saatchi Gallery, London, Freight & Volume in New York and in Beck's Futures at the ICA, Shovlin was hailed as an art-world hoaxer par excellence, a reading of the work which perhaps foregrounds the extraordinary technical facility involved in producing the work but which sidelines the seriousness of his undertaking; both archives in fact represent a profound meditation on truth and doubt, and the subjectivity of interpretation.
While the Lustfaust archive is more playful the Jelish material is darkly poetic and evocative, heralding a major theme which runs through all Shovlin's recent work: loss - in particular of innocence - and the unreliability of memory. In Shovlin's world the past is retrievable only as a form of simulacra, flawed and inherently doubtful.
Jamie Shovlin is interested in the tension between truth and fiction, reality and invention, history and memory.
He is an artist whose work combines extraordinary facility as a draughtsman, printmaker, painter and writer with conceptual complexity and playfulness. His painstakingly researched and executed works merge inherently flawed systems, pseudo-scientific exactitude and doubtful philosophical propositions with the seemingly objective experience of the archive.
Through his projects Shovlin questions how information becomes authoritative and explores the way that we map and classify the world in order to understand it.
http://www.haunchofvenison.com/en/index.php#page=home.artists.jamie_shovlin
http://www.unosunove.com
http://www.lustfaust.com
http://www.naomivjelish.org.uk
Jamie Shovlin Questions ‘67 and ‘68 2007
Jamie Shovlin In Course of Empire 2007
Jamie Shovlin Happily Divided
Jamie Shovlin Fear/Religion/Want/Speech (Freedom Of/Freedom From)
Jamie Shovlin The 35th Incumbent (The Iraq Times, 10 November 1960, Page 12)
Jamie Shovlin Echoes Across History
Jamie Shovlin Lustfaust Gig Poster by Klaus Schmidt 2003
Jamie Shovlin Lustfaust Gig Poster by Christian Emmerich 2003
Jamie Shovlin Dyscrasia 2007
Jamie Shovlin Untitled (Comedie) 2008
Jamie Shovlin Questions ‘67 and ‘68 2007 acrylic and acrylic primer on linen, 178 x 178cm, ©the artist
Jamie Shovlin In Course of Empire 2007 acrylic on Canvas, 183 x 183cm, ©the artist
Jamie Shovlin Happily Divided two stacks of 48 vinyl records, 32 x 32 x 38cm, ©the artist
Jamie Shovlin Fear/Religion/Want/Speech (Freedom Of/Freedom From) neon, suspended jig, supports, and transformers, variable, ©the artist
Jamie Shovlin The 35th Incumbent (The Iraq Times, 10 November 1960, Page 12) pencil, charcoal and graphite on paper, 59.4 x 42cm, ©the artist
Jamie Shovlin Echoes Across History pencil, pencil crayon and pastel on paper, 43 x 60cm, ©the artist
Jamie Shovlin Lustfaust Gig Poster by Klaus Schmidt 2003 from Lustfaust: A Folk Anthology 1976-81, paint and photocopy on paper , 100 x 130cm, ©the artist
Jamie Shovlin Lustfaust Gig Poster by Christian Emmerich 2003 from Lustfaust: A Folk Anthology 1976-81, acrylic and ink on collage , 42 x 30cm, ©the artist
Jamie Shovlin Dyscrasia 2007 “America’s 50 Favorite Crayola” crayons mounted on inkjet print, 100 x 100cm, ©the artist
Jamie Shovlin Untitled (Comedie) 2008 pencil crayon and pencil on paper, 56 x 76cm, ©the artist