http://www.francesrichardson.co.uk
download cv here
I have been using the marks + and – to create works on paper since 1997. I desire the mark to have a presence, rather than be used for illusory / representational purposes and see the graphite deposit as a sculptural intervention across the surface. The use of signs, + and – as marks, indicate a conceptual visual preposition: the presentation of the moment of being in space and time, a pulse that tends towards nothing and everything.
Making a mark is a gestural act that for me scores the intangible physical reality of being in a moment and the suspension and presentation of this moment to the viewer. Initially the act of making the + - marks formed linear progressions, which indicated a period of time, although the line invariably had no beginning or end. A second phase quickly developed where the intention was to erase as far as possible the idea of past and future in the work. The orientation of the action of perceiving the drawing changed from moving across the surface, to seeing the image in an instant as if looking from above. The marks appear as a singularly resolved membrane made using various densities of lead pencil and fade to form symmetries, inducing rhythms that react to the act of looking. The individual gesture of the marks enable a rotation of the axis on the +’s to produce visual paths and rhythms within the surface matrix.
The act of drawing as explorative becoming, resides in the 3d work. I cut up sheets of MDF and use painted screws to assemble the flat sections. There are no plans, just an image of form that physically resolves in the making. I call them “walk-in drawings”. In the process, incidents occur that re-inform the image. The denial of surface histories intends that they effect through their physical presence.
- Frances Richardson, 2009
http://danielweinberggallery.com
http://www.kudlek-vandergrinten.de
Frances Richardson 100709 2009
Frances Richardson Teeter 2008
Frances Richardson Deposition Fig.3 2008
Frances Richardson Lapse 2008
Frances Richardson 070307 2007
Frances Richardson 070307 (detail) 2007
Frances Richardson 080307 2007
Frances Richardson 090307 2007
Frances Richardson Almost At An Instant 2006
Frances Richardson Almost At An Instant (detail) 2006
Frances Richardson 100709 2009 pencil on paper, 45 x 50cm, ©the artist
Frances Richardson Teeter 2008 MDF / rubber / screws, 35 x 360 x 8cm, ©the artist
Frances Richardson Deposition Fig.3 2008 MDF / Plywood, variable, ©the artist
Frances Richardson Lapse 2008 MDF / screws, 360 x 300 x 30cm, ©the artist
Frances Richardson 070307 2007 pencil on paper, 89 x 118cm, ©the artist
Frances Richardson 070307 (detail) 2007 pencil on paper, 89 x 118cm, ©the artist
Frances Richardson 080307 2007 pencil on paper, 89 x 118cm, ©the artist
Frances Richardson 090307 2007 pencil on paper, 89 x 118cm, ©the artist
Frances Richardson Almost At An Instant 2006 pencil on paper, 35 x 50cm each (12 total), ©the artist
Frances Richardson Almost At An Instant (detail) 2006 pencil on paper, 35 x 50cm, ©the artist