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Catherine Morland was featured in Contemporary Art Society's ARTfutures 2005 at Bloomberg SPACE.
Escapism, reverie, altered states of consciousness, thresholds of attention and recalling memory and place are recurring themes in my work.
In the projection pieces I use light and shadow and soot as my medium. Rotating, flickering and dissolving light reveals fragments of the image at a time and affects the time it takes for the viewer to see the image in its entirety. I am interested in the play between two states of perception, between shadow and light, the defined and undefined, positive and negative, wakefulness and sleep.
The drawings on glass are made with smoke. They are conceived as after-images, the unstable nature of the medium alluding to something fugitive and unattainable. Using layers and fragmented imagery I hope to present the viewer with a visual journey and a space for contemplation.
In a time of increasingly sophisticated visual experience, a backward glance at the pre-digital age reveals new meaning in outmoded technologies and through my work I question whether it is still possible to confound the senses through the simplest and most ephemeral of means.
http://www.rokebygallery.com/matrix_engine/content.php?page_id=944&image=1174
Catherine Morland Hotel Pourquoi Pas 2008
Catherine Morland Chain of Gazes 2007
Catherine Morland Flicker Walk 2008
Catherine Morland Blaze (installation view) 2006
Catherine Morland Blaze (detail) 2006
Catherine Morland Group Projection (left: Treasure Island, right: Poolside at Villa Volkonsky)
Catherine Morland Treasure Island (detail) 2004
Catherine Morland Poolside at Villa Volkonsky 2004
Catherine Morland Flicker 2006
Catherine Morland Flicker (detail)
Catherine Morland Hotel Pourquoi Pas 2008 smoke and self-adhesive vinyl on 5 layers of glass in perspex box, 50 x 40 x 17.5cm, ©the artist
Catherine Morland Chain of Gazes 2007 smoke and self-adhesive vinyl on 2 layers of glass in perspex box, 50 x 40 x 9cm, ©the artist
Catherine Morland Flicker Walk 2008 smoke and self-adhesive vinyl on glass in perspex box, 67 x 58 x 9cm, ©the artist
Catherine Morland Blaze (installation view) 2006 smoke drawing on glass. One light projects image on to wall. Another light on a cycle bleaches out the image from the centre and slowly exposes it again, 70 x 82cm, projection 200cm x 160cm, ©the artist
Catherine Morland Blaze (detail) 2006 smoke drawing on glass. One light projects image on to wall. Another light on a cycle bleaches out the image from the centre and slowly exposes it again, 70 x 82cm, projection 200cm x 160cm, ©the artist
Catherine Morland Group Projection (left: Treasure Island, right: Poolside at Villa Volkonsky) variable, ©the artist
Catherine Morland Treasure Island (detail) 2004 Smoke drawing on glass. A rotating light projects the drawing onto wall illuminating parts of the image at a time, 100 x 90cm, ©the artist
Catherine Morland Poolside at Villa Volkonsky 2004 A light projector slowly dissolves and then exposes the image onto the wall, ©the artist
Catherine Morland Flicker 2006 Drawing engraved on glass. Light activated by sensor projects image onto wall behind piece of glass, 85 x 65cm, ©the artist
Catherine Morland Flicker (detail) Drawing engraved on glass. Light activated by sensor projects image onto wall behind piece of glass, 85 x 65cm, ©the artist