David Maljkovic at Sprüth Magers, London
Given the focus on today as a very particular moment in this country’s political history, perhaps it is interesting to look at an artist for whom shifts, repetitions and rips…
Roger Hiorns at Corvi-Mora, London
Simplicity is a paradoxical thing. One becomes wary, with experience, of presuming that works that ostensibly operate in a straightforward way are as innocent as they seem. The more one…
Andrea Büttner and Brit Meyer at Piper Keys, London
The beaten up 1950s warehouse does nothing to prepare you for the elegance of the installation of work by Andrea Büttner and Brit Meyer. The work and the hang are both spare and lean. Büttner invited her ex-student Meyer to show with her and the pairing of the well known artist and the just-graduated is unselfconsciously and delicately played out.
Natalie Dray, DRAY, at Cell Projects Space, London
Natalie Dray has been part of group shows at V22 and Palazzo Peckham in London in the past few years, as well as having participated in some international exhibitions in Europe, but this is her first solo presentation in London since graduating from the Royal Academy Schools last year.
Mary Ramsden, Swipe, at Pilar Corrias Gallery, London
This week I would like to encourage you to see a show which opened last night in the West End, featuring the work of a young painter recently graduated from the Royal Academy Schools.
On Golden Square – Danh Vō, Homosapiens, at Marian Goodman Gallery and Daniel Silver, Rock Formations, at Frith Street Gallery, London
Let us start the year with a pair of must-see solo exhibitions that both opened last night. Danh Vō and approach the proposition of object making from very different angles,…
Bloomberg New Contemporaries 2014 and Julie Verhoeven at ICA, London
The fortieth, and final Dispatch of 2014 reports from the ICA which on a dark, cold and blustery December night was absolutely hopping with energy yesterday. For anyone crazy enough…
Joachim Brohm, Vernacular and Modern, at Grimaldi Gavin, London
For the penultimate Dispatch of 2014 I am back in the West End of London at the Grimaldi Gavin gallery on Albermarle Street. This is a gallery with no shop front, so you have got to know it is there, but counterintuitively, once you descend to the lower ground floor you find a gracefully proportioned suite of rooms flooded with natural light from a glass atrium roof. It’s a pleasure just to discover this unexpectedly delightful space in a street you thought you knew so well.
Caragh Thuring at Chisenhale Gallery, London
It is always quite exciting when the Chisenhale Gallery turns itself over to a painter. We are more used to walking down the concrete ramp and entering a darkened space…
Nathaniel Mellors Wins the £40,000 Contemporary Art Society Annual Award 2014
Mellors will create a film that will form the centrepiece of a 15 month exhibition on the themes of Samuel Beckett and The Theatre of the Absurd.
Chance and Order at The Eagle Gallery, London
Andrew Bick, Katrina Blannin, Natalie Dower, Kenneth Martin, Mary Martin, Jeffrey Steele Emma Hill set up The Eagle Gallery, in a beautifully proportioned room above the Eagle Pub on Farringdon Road…
Julian Stair, Quotidian, at Corvi Mora, London
I should declare my hand from the outset here: I have, until very recently, been a life-long craft-denier. I am in a process of rehabilitation, and must thank a number of patient individuals, who know who they are, for gently easing me out of this state of profound ignorance. I am therefore probably the least qualified person imaginable to address the most recent exhibition of work by the very distinguished ceramicist, and academic, Julian Stair. But I will plough on, with all the zeal of a recent convert.