Maurer is intrigued by illusion and scale, and says that her fascination for projection could have its origins in the urge to “get something large-scale from the smallest source”.
Key early work by “the unsung Queen of British performance Art” acquired for York Art Gallery
Quadrille (1976) by Rose English highlights the fetishisation of women’s bodies and explores issues around gender roles, whereby dressage can be seen as a metaphor for power struggles and relationships.
Leonce Raphael Agbodjelou
Agbodjelou portrays smugglers in Benin as individuals, but also records a practice characteristic for the country at a certain point in history.
Work by Canadian artist Andrew Dadson acquired for Norwich Castle Museum
The Contemporary Art Society is pleased to announce the recent acquisition of Black Barbed Wire (2013) by Andrew Dadson (b. 1980) for the Norwich Castle Museum. Dadson is a Canadian…