Winner of the Aspen Online Art Award creates a virtual world from the unique digital fingerprints of users
The £5,000 commission launched on 3 May 2017
Refinding: Jessie Flood-Paddock with Kenneth Armitage at The Tetley, Leeds
This counter-intuitive but productive pairing resonates in unexpected and playful ways.
Skulptur Projekte Münster 2017
Pack some sunscreen and an anorak, for Germany’s summer weather seems to be as unpredictable as ours at the moment, and explore Skulptur Projekte Münster (SPM) by hire bike.
Documenta 14, Kassel
This edition of documenta offers a rare chance to see works by female artists, indigenous artists and older artists who have been neglected by the market.
Dineo Seshee Bopape
Her work undermines the machismo of land art; her use of soil as a sculptural material couldn’t be further from that of Walter De Maria’s minimalist ‘Earth Rooms’ of the 60s and 70s.
Sharjah Biennial, UAE
Now in its thirteenth edition, it has become an important touchstone for the wider region.
Sadik Kwaish Alfraji
Mostly working in sombre black and white and with personal source material, Sadik Kwaish Alfraji probes and elucidates the anxiety, loss, fragmentation and lapses in time that underline exile.
documenta 14: Learning from Athens
The heady scent of orange blossom pervades the city of Athens in April: a beautiful and unexpected accompaniment to the opening of this year’s documenta exhibition.
Jerwood/FVU Awards 2017: Neither One Thing or Another
Lawrence Lek and Patrick Hough were this year’s award winners, both responding to the curatorial theme by using pioneering technology to examine a blurring of the line between the real and the artificial.
Polygraphs at Gallery of Modern Art (GoMA), Glasgow
In a ‘post-truth’ age a good narrative defeats the facts any day, but this exhibition is a timely reminder that ‘twas ever thus, and little is new but the technology.