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Exploring the language of sculpture, Laura White uses a range of materials from everyday objects to constructed matter. She is interested in our relationship and negotiation with the ‘stuff’ of the world, from the mediated experience of images, such as in books, on posters and the internet, to first-hand encounters with objects and matter.
Most recently White has been interested in the idea of a haptic experience in relation to imagery, where one has a physical relationship to an image and encounters them through a sculptural language.
By representing images in this way the viewer confronts the image both physically and spatially, inviting them to dissolve their subjectivity in the close and bodily contact with the image. Within a language of sculpture she explores the sculptural qualities of images, such as using image as matter, sculpting it to create complex and colourful forms that both displace and destroy the meaning of the image.
For example, by physically manipulating images by projecting video onto assemblages of objects in a darkened space, so that the images literally wrap themselves around objects, or cutting images from magazines and using them as sculpting matter, like one would use clay or plaster to tear, crumple and glue into shape and form.
This sculptural manipulation of images, explores a direct engagement with the audience, one that is both visceral and erotic, and plays with the relationship between representation and abstraction, as recognisable images are broken down into abstract form.
The boundaries between image and object become blurred to challenge the viewers’ relationship to both, making it possible for images to exist as solid matter in the here and now, and objects to disperse into a mediated world of imagery.
http://www.goldsmiths.ac.uk/art/research/staff/lw/01.php
http://www.artdes.mmu.ac.uk/profile/lwhite
http://www.re-title.com/artists/Laura-White.asp
Offsite-Insight, Laura White
If I had a monkey I wouldn’t need a TV Part 2 (image 1), Laura White
If I had a monkey I wouldn’t need a TV, Laura White
If I had a monkey I wouldn’t need a TV Part 2 (image 2), Laura White
If I had a monkey I wouldn’t need a TV, Laura White
Bring home the bacon, Laura White
Prize, Laura White
Yea and Nay, Laura White
Knuckle Paunch, Laura White
Family Likeness, Laura White
Pickthank, Laura White
Long days and Interruptions, Laura White
Offsite-Insight, Laura White, 2009, © the artist
If I had a monkey I wouldn’t need a TV Part 2 (image 1), Laura White, mixed media installation, 2009, dimensions:in response to room, © the artist
If I had a monkey I wouldn’t need a TV, Laura White, mixed media installation, 2008, dimensions:in response to room, © the artist
If I had a monkey I wouldn’t need a TV Part 2 (image 2), Laura White, mixed media installation, 2009, dimensions:in response to room, © the artist
If I had a monkey I wouldn’t need a TV, Laura White, mixed media installation, 2008, dimensions:in response to room, © the artist
Bring home the bacon, Laura White, video projection onto mixed media. Includes billboard posters and coloured plastic objects, 2008, dimensions:560 x 280 x 280cm, © the artist
Prize, Laura White, video projection onto constructed printed images, 2007, dimensions:310 x 210 x 65cm, © the artist
Yea and Nay, Laura White, wooden structure, posters and clothes pegs, 2008, dimensions:140 x 200 x 100cm, © the artist
Knuckle Paunch, Laura White, mixed media, includes umbrellas, furniture, rope, bin bags, clothes pegs and constructed printed images, 2008, dimensions:200 x 575 x 230cm, © the artist
Family Likeness, Laura White, umbrella, feather dusters and constructed printed images, 2008, dimensions:85 x 105 x 92cm, © the artist
Pickthank, Laura White, mixed media, includes golf bag, rope and constructed printed images, 2008, dimensions:85 x 110 x 70cm, © the artist
Long days and Interruptions, Laura White, mixed media, includes billboard posters, painted wall and existing architecture, 2007, dimensions:depends on location, © the artist