Now in its seventh edition, the prize has done a remarkable job of getting respected international artists better known in the UK
The show’s strength, perhaps, lies in the fact that one does not have the sensation of being lectured to, but instead is guided towards a new empathy.
The Contemporary Art Society to partner with The Sackler Trust on the continuing professional development programme for curators, 2017 – 2020
An important group show opens at GoMA in Glasgow this month, which stems from the Contemporary Art Society’s donation of Hito Steyerl’s Abstract (2012) to the museum in 2015.
Emilie Taylor is also a social worker with a degree in Art Psychotherapy and her work with local communities often informs her practice.
The artist says of the work: ‘to put it simply, it’s to do with the way memories manifest themselves and the way they mutate and sometimes crassly impose themselves into the “now”.’
Students from Bishop Challoner secondary school paintings were produced in response to Aspen’s art collection, which is managed by CAS Art Consultancy
Relaxed and festival-like, it is heartening to witness such a collaborative, rather than competitive, artworld event
A brilliant and very contemporary take on figuration in sculpture, catch this show while you can.
In her practice, Wilson frequently collaborates with specialists to create performative sculptural works that illuminate the relationship between materiality, memory and tacit or experiential knowledge.
To raise the profile of one of the pioneers of the British Black Arts Movement, Spike Island, Nottingham Contemporary and Modern Art Oxford are running concurrent presentations of Lubaina Himid’s work from January 2017.
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