2017

Jessie Flood-Paddock, Lion Vasa, 2017. Image courtesy of The Carl Freedman Gallery London and the artist and The Tetley, Leeds. Supported by the Henry Moore Foundation, The Elephant Trust and the Artists’ General Benevolent Institution.
Friday Dispatch 21 Jul 2017 By Ali MacGilp

Refinding: Jessie Flood-Paddock with Kenneth Armitage at The Tetley, Leeds

This counter-intuitive but productive pairing resonates in unexpected and playful ways.

Richard Long, White Deer Circle, 2016 © Pete Huggins
Friday Dispatch 14 Jul 2017 By Caroline Douglas

Richard Long: EARTH SKY at Houghton Hall

EARTH SKY at Houghton Hall shows Richard Long at the top of his game and should not be missed.

Fabienne Nicholas
Art Consultancy 11 Jul 2017 By teamcas

Fabienne Nicholas invited by Sadiq Khan to become a Mayor’s Design Advocate

CAS Consultancy’s developing strand of cultural strategy work, as well as extensive expertise in the public realm, gives Fabienne a unique blend of experience to contribute to the Mayor’s vision.

Hito Steyerl, HellYeahWeFuckDie, © Skulptur Projekte 2017, Foto/photo: Henning Rogge
Friday Dispatch 7 Jul 2017 By Ali MacGilp

Skulptur Projekte Münster 2017

Pack some sunscreen and an anorak, for Germany’s summer weather seems to be as unpredictable as ours at the moment, and explore Skulptur Projekte Münster (SPM) by hire bike.

Anne Hardy, Falling and Walking (phhhhhhhhhhh phossshhhhh crrhhhhzzz mn huaooogh) at Art Night 2017. © Anne Hardy, Photographer: Angus Mill
Friday Dispatch 30 Jun 2017 By Caroline Douglas

Anne Hardy: Falling and Walking (phhhhhhhhhhh phossshhhhh crrhhhhzzz mn huaooogh) at Art Night 2017

This is her largest ever single installation and after Art Night the work will become the first of Hardy’s increasingly ambitious works to enter a permanent museum collection.

Barkley L. Hendricks, 'Icon for My Man Superman (Superman Never Saved any Black People – Bobby Seale)', 1969. Private Collection; © Estate of Barkley L. Hendricks. Courtesy of Jack Shainman Gallery, New York. Superman S-Shield © & ™ DC Comics.
CAS Recommends 29 Jun 2017 By Marcus Crofton

July 2017

Compton Verney’s new exhibition draws together over 90 works that investigate how the human eye and mind perceive what we see, including a gallery-sized mural by German abstract artist Lothar Götz.

AND NOW…GRANTS FOR IRISH LESBIANS! Installation view. Alice May Williams, photo: Cameron Leadbetter, Courtesy Tintype, London
Artist to Watch By Charlotte dos Santos

Alice May Williams

Nestled amongst the hum and bustle of Islington’s Essex road, a banner is defiantly pitched up in the window of Tintype gallery, blaring the words sourced from the article that…

Neil Brownsword, Waster, 2011. Ceramic industrial archaeology, dimensions variable. Image courtesy the artist.
Recent Acquisitions 28 Jun 2017 By teamcas

Installation by Neil Brownsword acquired for The Potteries Museum & Art Gallery

Adopting the role of both artist and archaeologist, Brownsword unearths discarded by-products from closed Staffordshire ceramic factories to create sculptures that reflect on the forces of globalisation and the local economy.

Ron Nagle, Casting Aspersions, 2016, ceramic, catalysed polyurethane and epoxy resin, 14.6 x 9.5 x 11.4 cm, 5 3/4 x 3 3/4 x 4 1/2 ins. Photograph by Don Tuttle. Image copyright the artist and courtesy Stuart Shave/Modern Art, London
Friday Dispatch 23 Jun 2017 By Caroline Douglas

Ron Nagle: Amended Testimony at Stuart Shave/Modern Art

Ron Nagle’s beautifully installed first ever UK solo show offers a new perspective on the history of ceramic sculptures as an art form.

Marta Minujín, The Parthenon of Books, 2017,
 steel, books, and plastic sheeting
, Friedrichsplatz, Kassel, documenta 14, photo: Roman März
Friday Dispatch 16 Jun 2017 By Ali MacGilp

Documenta 14, Kassel

This edition of documenta offers a rare chance to see works by female artists, indigenous artists and older artists who have been neglected by the market.

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